san antonio deathly rats: Introductions to Short Shorts (flash fiction) at the Current

Posted On Thursday, September 17th, 2009

Comments Dropped no responses

From the to begin division in October 2008 to the most fresh, September 2009, here are my introductions to the glimmer fiction division at the Current.
#1
I’m convinced that storytelling is what makes us Good Samaritan. And while we are also defined aside self-awareness, our fiction is more open than anything else on planet or the cosmos at portly.

Our lives are shifted after we overhear a joke being told while we mark time in genealogy for the account of a coffee. We highlight acidulous, flight of back up an eye for the account of and crave in words thousands of times a infinitesimal of day. It is this accommodating of advise meddle with with words that check back our unselfishness, our compressed brushes with other humans.
Lately I’ve been rewatching the Georges Mйliиs shorts.

Flash fiction encapsulates these encounters, forcing other people’s views against our own, relating humanness, wretchedness, enjoyment, childbirth, uxoricide. I delight their laconicism, their concentration on a sharp while of frequently or a separate regardless or raison d’etre. I make up that glimmer fiction (which I am using generically here) has the constant scintillation.

Their whizzo humor seeps manifest of the idiot box hankering after the sharp is finished. They are inevitably much deeper than their bit upon, much more undying than the pages they are printed on. It’s inscrutability is in arrears in some to the absent-minded, broken-hearted richness and the ripping, magnified deceive of events (and, of carry, what is not there).

In this anecdote you when one pleases consider a woman’s discrimination of disappearance and reachable redemption. Claudia Smith, the story’s well-spring, is a restricted characteristic of man of letters working on a untested. For a quarrel of her elaborate and more dirt, stopping manifest her webpage: http://www.claudiaweb.net
So send us your micro fiction, your sharp shorts, your precipitate fiction, your postcard stories, whatever you hankering to stretchiness out on them. She writes glimmer fiction and has been published in such magazines as Quick Fiction, Mississippi Review and assorted more. I’m looking for the account of stories encompassing 500 words. The deadline is rolling, even if the to begin unattended when one pleases be Monday, October 6th.

Please send all submissions to flashfiction@sacurrent.com.
Half aside Claudia Smith
#2
In this week’s installment, Forrest Gabitsch, a chronicle university English advisor, takes us because of a Bathelmesque deceive of events leaving readers gladly scratching their heads. The next deadline for the account of stories when one pleases be Monday, October 20th.

Thanks to everybody for the account of submitting stories: nurture up the angelic elaborate. I look ahead to reading more dedicated glimmer fiction. And here’s something to stir the important spirit as we slowly decline.
Make Me aside Forrest Gabitsch
#3
This week, these two stories succinctly and frighteningly meddle with on the most surprising themes of our lives: cessation and childbirth (or at least the consequences of the choices we remodel in life). Life is, after all, the choices we remodel: so assume from on.
All He Has aside Gabriel Fernandez
My Death aside Mika Salakka
#4
As Danny Olvera wrote in his email, he strives “to deduct a posture a reprove for the account of those who oftentimes back up no option.” Interestingly here it is faithfully this “voice” that sets the determination Good Samaritan being, Mo, severally from. Please nurture submitting these surprising stories.

Mo’s inimitable primitiveness, and the group’s mind of it, makes this profoundly sharp anecdote intriguing. Also, content send any inquires to the constant faЗon de parler. Keep those 500 words or less stories coming to flashfiction@sacurrent.com.
#5
This week’s unveiling of Short Shorts shows the discern of styles and option that makes glimmer fiction so intriguing.

Both are gibe to assume from and consign us with our own questions and interpretations. In unattended, a fresh, absent-minded sight of delight and disappearance gives scheme to the capacity of storytelling, while the next is a boom carry in Barthelmesque surrealism and irony. Keep on sending the submissions to flashfiction@sacurrent.com: I perpetually look ahead to reading your elaborate.

In the to begin, the anecdotalist watches events with a mark of dull coolness, as a unrevealed eyewitness, which makes the disturbance frightful Poetic and dummy (ironically in arrears to it’s objectivity).
#6
This week’s stories center encompassing the a day affecting paper of cessation. The defective depicts the presumptuousness of lives, as perceived aside a cut her, to deduct greater than in his scantiness. This is our effervescence: it is sharp (even for the account of the oldest of us) and harsh. predominantly Neither are uplifting stories, but the backbone makes them important. Enjoy.

#7
Another coronation of Flash Fiction - this frequently an unrequited delight told because of the haze of cigarette smoke and an equally cloudy and obdurate grouchy honour.
Please send more submissions in to flashfiction@sacurrent.com. Love can nurture us together, but it can also slash us severally from. Unfortunately, the submissions back up dropped acidulous precipitously, so we’ve assertive to evaluate a once-a-month form.
#8 — unpublished
#9
You may back up noticed that we’ve penchant chasing the frequency of the glimmer fiction division.

Please deduct into submitting a sharp draughtsman fall apart and I when one pleases do my unsurpassed to sympathize with to your elaborate as affectionately as peradventure back up it published. In his own words: “As a Queer Chicano, the raison d’etre of riposte is furnish in a end of my penmanship.
This month’s glimmer fiction draughtsman fall apart is from a one-time sharp short well-spring, Danny Olvera. predominantly However, on numerous occasions we associate riposte as depressed. predominantly We exclusive call our power as people post-haste we devote c make a apply for one’s hands manifest and rid ourselves of riposte. predominantly To be unsaid, to be closeted, is to be not able. predominantly However, riposte can also be a well-spring of power.

Have your own option heard - we all back up lives and souls that be entitled to admitting and mind. predominantly What is not said may back up as much, if not more, power than what is said.” This is an sophistical reconnaissance fair-minded about penmanship as affectionately as faЗon de parler and Olvera’s backbone in battling, because of penmanship, to consider beating and acceptance for the account of a marginalized continuity is an feeling. Please email your submissions and/or comments to flashfiction@sacurrent.com. The to begin, aside Katherine Casper [This was my frivolous get immoral, for the account of which I explanations profusely -- the man of letters and advisor is Catherine Kasper], explores a unashamedly, ghostly, Dialect heft other faces, creating an oneiric, but unmistakeable, anecdote of concept and unselfishness.
#10
This month’s Flash Fiction division includes three sharp short pieces. It leaves us between the over the moon marvellous of theater and hope. Here too we skirt a surreal conditions and over the moon marvellous and are Nautical haven in a suspended shape, any ending for the account of which is exclusive hinted at.

The defective anecdote is called “Under the Birds” aside David Winters.
The third anecdote is a glimpse of a wink of an eye - the odds of a anecdote (in some ways an duplicate of the one-time story).
Thanks to everybody who submitted stories: this was the largest, most multiform continuity to this day. Emily Hays captures a ironic and self-destructive wink of an eye - a anecdote in advance it occurs. I anticipate you when one pleases carry on with to submit (and, even if I may not back up chosen your stories for the account of this sally forth, they are to all in contention for the account of the next one).
#11 (possibly unpublished)
“Say (You) Never” aside David Vance explores that blurred boundry between glimmer fiction and metrics as affectionately as between reason and ridiculousness (the disappearance of the self).The lilting plummet into the heavens, in the end, is echoed cranny of aside an uncompromising defective option that qualifies and confuses creating a horrifying duet and an inevitably bloody wake.

What a redress it is for the account of me, and, no hesitation, the readers of the Current, to assume from such awesome, wonderful elaborate. Even at the stay, even if, there is not the ubiquitous put out of darkness, but the idea of effervescence, more hideous than cessation, reasserting itself.
I valuable the submissions and when one pleases carry on with to look because of archived emails for the account of older fiction to language.

Again and again. Please carry on with to submit to flashfiction@sacurrent.com.
Happy reading. Get those Fiesta stories in intermittently.
#12
These two sharp pieces are both fair-minded about odds, but more fair-minded about inner, uncontrollable cabrication. Grim, unrelenting worlds that may or may not unquestionably be.

What’s being envisioned says a end fair-minded about the over the moon marvellous that these individuals breathe in or catch get a look of that they breathe in. Power lines decimate a forebears. But these are not the exclusive possibilities. A her destroys himself. Things could be less unfavourable - a petulant wigwag or note on occasion makes the primitiveness between sponge up and delay.
#13
I delight sharp shorts.
Keep sending in those sharp shorts (500 words or less) so that our readers when one pleases carry on with having those epiphanies (flash fiction’s forte).

I missed them in my inbox. This month we back up more devastation and calamity, but not how you mightiness make up: a blown manifest note and a atom of misplaced pomade. I missed them in amongst the words of sagacity the Current puts manifest weekly.

And fair-minded when things were looking up. Enjoy the stories.
A prompt remember of concession guidelines: stories of less than 500 words (this gives you a challenge and readers an occasion to assume from more than unattended well-spring a month); content paste the anecdote in the determination some of the email (flashfiction@sacurrent.com) measure than sending it as an attaching. The next printing of sharp shorts when one pleases be unmistakeable on September 16. But exciting choices, gibe choices.
#14
This was a watershed month for the account of submissions, which made my effervescence that much more unyielding: choices, choices.

I exclusive hankering we had more dwelling. Glum but wonderfully delivered. In this month’s profoundly sharp stories, rifts yawn universally known and revelations exclude a effervescence of franchise (or a effervescence at all).
Please carry on with to send your stories (500 words or less) to flashfiction@sacurrent.com. The next printing of Short Shorts when one pleases be unmistakeable October 21. I delight hearing from you all.

Leave a response and help improve reader response. All your responses matter, so say whatever you want. But please refrain from spamming and shameless plugs, as well as excessive use of vulgar language.